Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare's famous tragedy.

Trapped between duty and doubt, surrounded by power and privilege, young Prince Hamlet dares to ask the ultimate question – you know the one.

National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky's Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining.

Five-time Olivier Award winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw's incendiary moral classic.

Vivie Warren is a woman ahead of her time. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune – but at what cost?

Filmed live from the West End, this new production reunites Staunton with director Dominic Cooke (Follies, GOOD), exploring the clash between morality and independence, traditions and progress.  

Olivier Award-winner Jack Lowden (Slow Horses, Dunkirk) is joined by Emmy and BAFTA-winner Martin Freeman (The Hobbit, The Responder) starring in the critically acclaimed and subversively funny new play by David Ireland.

After years in the 12-step programme of Alcoholics Anonymous, James becomes a sponsor to newcomer Luka. The pair bond over black coffee, trade stories and build a fragile friendship out of their shared experiences. But as Luka approaches step five – the moment of confession – dangerous truths emerge, threatening the trust on which both of their recoveries depend.

Finn den Hertog directs the provocative and entertaining production filmed live from @sohoplace on London's West End.

A searing new play from the team behind Prima Facie

Jessica Parks is smart, compassionate, a true maverick at the top of her career as an eminent London Crown Court Judge. At work she’s changing and challenging the system one case at a time. But behind the robe, Jessica is a karaoke fiend, a loving wife and a supportive parent.

While managing the impossible juggling act faced by every working mother, an event threatens to throw her life completely off balance. Can she hold her family upright?

Rosamund Pike (Saltburn) makes her National Theatre debut as Jessica. Writer Suzie Miller and director Justin Martin reunite following their global phenomenon Prima Facie with this searing examination of modern masculinity and motherhood.

From the producers of Wicked, and winner of 3 Tony Awards® and the Pulitzer Prize for Drama, Next to Normal is a ground-breaking musical that returns to the stage following its sold-out run at London’s Donmar Warehouse.

One of only ten musicals to ever win the Pulitzer, this critically acclaimed production offers an unflinching, intimate look at family, mental illness, and grief—centered around Diana, a suburban wife and mother living with bipolar disorder and grappling with a past that refuses to fade. Featuring an extraordinary cast including Caissie Levy (Frozen), Jamie Parker (Harry Potter), Jack Wolfe (Shadow & Bone), Olivier winner Eleanor Worthington-Cox (Matilda), Trevor Dion Nicholas (Aladdin, Hadestown), and Jack Ofrecio.

Roger Waters, founding member and creative force behind the legendary Pink Floyd, brings to the screen his live show, Roger Waters This Is Not A Drill: Live From Prague - The Movie. Directed by Sean Evans and Roger Waters, the film combines iconic songs from his Pink Floyd days with those from his solo career, encompassing a timespan of sixty years. The show is a stunning indictment of the corporate dystopia in which we all struggle to survive, and a call to action to love, protect and share our precious and precarious planet home.

Dedicated to “our brothers and sisters all over the world who are engaged in the existential battle for the soul of humanity”, the movie is an extraordinary assault on the senses, not just musically and visually, but politically and philosophically as well. It captures performances of songs from some of the most influential albums of all time – The Dark Side Of The Moon, Wish You Were Here, Animals and The Wall, together with those from the most popular of Waters’ solo career, including Amused To Death and Is This The Life We Really Want? Brought together with his band and crew, the show is majestic, with performances that are powerful yet controlled.

The sense of control is emphasised by the 360° stage. It provides intimacy and allows the performers to play to all sections of the audience “in the round”. With a rectangular centre with runways extending from each side, creating an elongated cross. Above it is a set of giant LED screens configured the same way. Made up of 12 surfaces, and totalling a huge 650 square meters, they project numerous images and messages that vividly and powerfully reinforce the meanings behind the songs. Because of the size and position of the screens, they can be seen throughout the arena and promote a high-energy production with maximum audience participation.

At one of her lavish parties, celebrated Parisan courtesan Violetta is introduced to Alfredo Germont. The two fall madly in love, and though hesitant to leave behind her life of luxury and freedom, Violetta follows her heart. But the young couple’s happiness is short-lived, as the harsh realities of life soon come knocking. As intimate as it is sumptuous, La traviata features some of opera’s most famous melodies, and is a star vehicle for its leading soprano role sung by Ermonela Jaho. In director Richard Eyre’s world of seductive grandeur, the tender and devastating beauty at the centre of Verdi’s opera shines bright.

The peasant girl Giselle has fallen in love with Albrecht. When she discovers that he is actually a nobleman promised to another, she kills herself in despair. Her spirit joins the Wilis: the vengeful ghosts of women hell-bent on killing any man who crosses their path in a dance to the death. Wracked with guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and Giselle’s ghost. Peter Wright’s 1985 production of this quintessential Romantic ballet is a classic of The Royal Ballet repertory. Set to Adolphe Adam’s evocative score and with atmospheric designs by John Macfarlane, Giselle conjures up the earthly and otherworldly realms in a tale of love, betrayal and redemption.

Virginia Woolf defied literary conventions to depict rich inner worlds – her heightened, startling and poignant reality. Resident Choreographer Wayne McGregor leads a luminous artistic team to evoke Woolf’s signature stream of consciousness writing style in this immense work that rejects traditional narrative structures. Woolf Works is a collage of themes from Mrs Dalloway, Orlando, The Waves and Woolf’s other writings. Created in 2015 for The Royal Ballet, this Olivier-award winning ballet triptych captures the heart of Woolf’s uniquely artistic spirit.

Stuck at home and put to work by her spoiled Step-Sisters, Cinderella’s life is dreary and dull. Everything changes when she helps a mysterious woman out...With a little bit of magic, she is transported into an ethereal new world – one where fairies bring the gifts of the seasons, where pumpkins turn into carriages, and where true love awaits. This enchanting ballet by The Royal Ballet’s Founding Choreographer Frederick Ashton is a theatrical experience for all the family and will transport you into an ethereal world where a sprinkling of fairy dust makes dreams come true.

Raised by a scheming dwarf and unaware of his true family origins, a young man embarks on an epic journey. Soon, destiny brings him face-to-face with a shattered sword, a fearsome dragon and the cursed ring it guards, and a Valkyrie forced into enchanted slumber... Moments of transcendent beauty and heroic triumph sparkle in the third chapter of Wagner’s Ring cycle, brought to life under Barrie Kosky’s inspired eye following his spectacular Das Rheingold (2023) and Die Walküre (2025). Andreas Schager, in his much-anticipated debut with The Royal Opera, stars as Siegfried’s titular hero, alongside Christopher Maltman’s towering Wanderer, Peter Hoare’s treacherous Mime and Elisabet Strid’s radiant Brünnhilde. Antonio Pappano conducts, drawing out the unspoken tensions and ethereal mysticism of Wagner’s dynamic score.

Princess Pamina has been captured. Her mother, the Queen of the Night, tasks the young Prince Tamino with her daughter’s rescue. But when Tamino and his friendly sidekick, Papageno, embark on their adventure, they soon learn that when it comes to the quest for love, nothing is as it really seems. Guided by a magic flute, they encounter monsters, villains, and a mysterious brotherhood of men – but help, it turns out, comes when you least expect it. Mozart’s fantastical opera glitters in David McVicar’s enchanting production. A star cast including Julia Bullock as Pamina, Amitai Pati as Tamino, Huw Montague Rendall as Papageno, Kathryn Lewek as the Queen of the Night, and Soloman Howard as Sarastro, led by French conductor Marie Jacquot in her Covent Garden debut.

Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin, which will be transmitted live from the Metropolitan Opera stage to cinemas worldwide on May 2. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realizes his affection for her all too late. The Met’s evocative production, directed by Tony Award–winner Deborah Warner, “offers a beautifully detailed reading of … Tchaikovsky’s lyrical romance” (The Telegraph).

Nadine Sierra stars as the sleepwalking Amina in Bellini’s heart-rending La Sonnambula, a tale of love lost and found set in the Swiss Alps—reimagined by director Rolando Villazón as a haunting journey through the mind, with Riccardo Frizza conducting a stellar cast.

Love defies ambition in Ashton’s La Fille mal gardée, where young Lise schemes to marry the farmer she loves instead of her mother’s chosen suitor, set to a joyful score and vibrant village charm in this beloved Royal Ballet classic.

The magician Herr Drosselmeyer needs to save his nephew. Hans-Peter has been transformed into a Nutcracker; the only way to save him is for the Nutcracker to defeat the Mouse King and find a girl to love and care for him. A flicker of hope comes in the form of the young Clara, whom Drosselmeyer meets at a Christmas party. With some magic, a cosy Christmas gathering turns into a marvellous adventure. Peter Wright’s The Nutcracker has enchanted audiences since its 1984 premiere by the Company. Featuring Tchaikovsky’s most familiar melodies and brought to life by Julia Trevelyan Oman’s exquisite designs, The Nutcracker is sure to be a festive firecracker for all ages.

In a war-torn, modern-day Rome, love and art collide with tyranny as Tosca faces an impossible choice to save her lover in Puccini’s gripping thriller, brought to life by a star-studded cast and a bold new production.